Paris Deco Off is ON
March 11, 2016
Once again Paris Deco Off was a highlight on the Right and Left Banks of Paris. Textiles were barely present at Maison&Objet compared to the city center where streets were lined with linen lampshades that danced in the breeze. Talking to professionals visiting the City of Light, they confessed to shopping Paris Deco Off before Parc des Expositions. Here are some highlights from the 7th edition that boasted some of the best textile editors and creators from around the world. This edition featured more than 100 French and international companies.
Paris streets lined with linen lampshades that danced in the breeze
Dedar kept it simple and put a new spin on the jungle trend.
Designers Guild was heavily trafficked with people taking in the new collections.
Gaston y Daniela had an entryway that transported you to a faraway land.
Jean Paul Gaultier showcased vibrant flower patterns that had ‘friendly’ insects like ants, ladybugs, and butterflies resting on the petals.
Karin Sajo’s windows were bright and attention-catching.
Mashüt was located in a glass box on the street, partaking in live weaving demonstrations.
Miss Print made its debut at Paris Deco Off with a pop-up showroom in an impressive, old vaulted cellar.
Pierre Frey launched two textile lines coordinating to two wallpaper collections.
In a striking fashion American leather company Moore & Giles introduced Couture Calf: high style for the home.
At Rubelli floral and geometric patterns were “inspired by normal life and by extraordinary powers of imagination.”
The Swedish wallpaper art of Sandberg was cleverly promoted through temporary tattoos offered to visitors of the showroom.
Paris streets lined with linen lampshades that danced in the breeze Dedar kept it simple and put a new spin on the jungle trend. Designers Guild was heavily trafficked with people taking in the new collections. Gaston y Daniela had an entryway that transported you to a faraway land. Jean Paul Gaultier showcased vibrant flower patterns that had ‘friendly’ insects like ants, ladybugs, and butterflies resting on the petals. Karin Sajo’s windows were bright and attention-catching. Mashüt was located in a glass box on the street, partaking in live weaving demonstrations. Miss Print made its debut at Paris Deco Off with a pop-up showroom in an impressive, old vaulted cellar. Pierre Frey launched two textile lines coordinating to two wallpaper collections. In a striking fashion American leather company Moore & Giles introduced Couture Calf: high style for the home. At Rubelli floral and geometric patterns were “inspired by normal life and by extraordinary powers of imagination.” The Swedish wallpaper art of Sandberg was cleverly promoted through temporary tattoos offered to visitors of the showroom.
